Thursday, 10 October 2013

A Tale of Fengadya.--- DR ARUN GADRE + some sundry from NCW

INTRODUCTION

      Climb an uphill. Wait for a moment to take a breath and casually look down. And say to each other, "Look! Can you see that signpost hidden in the bushes? That is the one that announced the start of the uphill. From that point onward, we started moving up with speed. And see how far we have come within a short time!"
      Similar feelings should gather in one's mind after reading this novel, A Tale of Fengadya.
      On this Earth, the human culture is dispersed all over. It has left behind many signs of its existence over the period of last 30 to 40,000 years. Many of these signs are nothing but the signs of his animal-ness. But some signs are definitely of his humanness.
      Particularly, at which point in the history, did man perceive his humanness? When he perceived it, how did he accept it? How did the animal in him came to know about his humanness?
      This novel tries to give answers to these questions.
      The theme of the novel sparked in my mind when I read a quote produced by a Christian missionary doctor, Dr. Paul Brand who has worked in the field of leprosy at Vellore medical college, India.
      In his book, 'Fearfully and Wonderfully Made', he writes beautifully in one chapter, on the subject, The Bone.
      In this chapter, he gives a quote from a social anthropologist, Dr Margaret Mead. When Dr Margaret Mead was asked by a reporter, "When do you declare that the human civilization has started at this particular point while doing excavation?"
      Her answer was, "Not roads, not utensils, nor the constructions, but when I found a healed femur bone, I declare that the human civilization has started here!"
      This particular answer by Dr. Margaret Mead enthralled me!
      Being a medical person by profession, I immediately understood the gravity of the statement! 30 to 40 thousand years back, when the man was living in the jungle, when he was fighting for his own survival, when he had to hunt his food on his own, it was a well accepted rule to leave behind the wounded person and to go ahead. So later in excavation we get either the intact femur bones or the broken femur bones.
      When we get a healed femur bone, however, it means that some person had actually lifted the wounded person to the cave. Had hunted for the wounded person. Had fed that wounded person for at least six months! Thus,  the broken femur of that person had healed, to announce this wonderful happening when found in the excavation by present-day man!
      I started wondering, who this person was? How he stood against the routinely accepted rule?
      The novel that developed has unique characteristic.
      First of all, brevity. The sentences tended to be short and crisp. It became the convergence of space, time and many cultures into a single place of particular time frame.
      The names of the characters emerged strange and unique. They have to be different from those of today. The names that are correlated to the appearance got upper hand. For example, Lameo for  lame. Longleggy, implying one with long legs.
      The novel in the process became Pre-historical rather than Historical one. It became Pre-social rather than Social.
      The novel became somewhat, a poetic truth.
      As the Nobel laureate Peter Medwar has observed, "The poetic truth can be interpreted as a distinct, separate and parallel truth. It cannot be compared with scientific truth or the actual reality. Being one of the alternatives among many, the poetic truth helps us to enter an entirely different universe and helps us to understand the reality in a different perspective. It enriches our understanding of reality."
      The history showed in the novel, A Tale of Fengadya, is also a kind of poetic truth. The claim of Dr. Margaret Mead, which turned out to be the stimulating point for this novel, may be declared obsolete or irrelevant by some another study in the future, but that cannot negate the poetic truth in this novel. This poetic truth in the novel has now become an independent existence on its own.
      I may say as a writer, that the success of this novel lies in the following realization:
      If the reader, after completing the novel, wonders for a moment:
      "Where do I stand today? Am I in the Dhanbasti ? Or is it that I have not left the cave of Fengadya at all? Or am I living in the man eater Vaghoba Toli even today?"
      Everybody is familiar with the scientific work, `The Ascent of man’ by J.Bronowski.        Modestly I can claim, that I have written a small literary volume of Ascent of man, in the form of this novel, A Tale of Fengadya.

                                                             --- DR ARUN GADRE.









some sundry from NCW REMOVE FROM HERE







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